Siobhan Fahey should not be a pop star. Hell, she also shouldn’t be a rock star, song writer, trendsetter, or anything for that matter which is presented or sold to the public. On paper this makes good sense. Reedy, thin voice? Check. Songs full of bitterness and bile? Check. Prolific career? Not so much. Public Interest? Meh. Strong, hook laden, self penned songs? Sometimes. Yet for some reason, her personae endures… In fact, the thing about Siobhan is how much she gets right when nothing, no, NOTHING, in her post-banana-fana-fo-fana career has come across as easy. Shakespears Sister started off with a thud of an album, Sacred Heart,...
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